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The International Association for Media and History

An organization of filmmakers, broadcasters, archivists and scholars dedicated to historical inquiry into film, radio, television, and related media. We encourage scholarly research into the relations between history and the media as well as the production of historically informed documentaries, television series, and other media texts.

CFP: IAMHIST master class on Media and History

IAMHIST master class on Media and History

Date: Friday January 18th , 2013 – 09.30 a.m. – 6.00 p.m.

Location: New York City , The Grolier Club, 47 East 60th Street, NY 10022

Are you a graduate or doctoral student, post-doc, or young professional currently working on a project in which you engage issues concerning historical film, radio or television or issues in media history? Are you interested in presenting your project to a small group of experts and peers? Then this master-class of the International Association for Media and History may be just what you are looking for. Participants are expected to give a short introduction to their project and to prepare some central questions for discussion. Senior members of IAMHIST will engage with your paper and discuss sources and strategies for developing the project.

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CFP: Second call for Screening Atrocity: Cinema, Decolonisation & the Holocaust

A one-day postgraduate workshop at Culture Lab, Newcastle University, 10 January 2013 

Keynote speaker: Professor Maxim Silverman
Traditionally, the fields of postcolonial, cultural, and memory studies have tended to regard the discourses of the Holocaust and the Algerian War of decolonisation (1954-1962) as separated by an invisible ‘colour line’- propagating a notion of collective memory as competitive and Nazi genocide as a paradigmatic, sui generis (singular) event which ‘differs from every case said to compare to it’ (Steven Katz). On the other hand, a comparatively nuanced approach to collective memory and discourse has recently emerged through the work of Michel Rothberg (2009), whose close analysis of cultural artefacts as sites of palimpsestic, ‘multidirectional memory’ has had profound ramifications for the fields of Holocaust and postcolonial studies. Applying Rothberg’s theories exclusively  to the discourse of cinema, this postgraduate workshop will thus discuss the extent to which filmic representations of the Holocaust can be said to parallel (and diverge from) representations of France’s colonial legacy, through a structured, comparative exploration of cinematic themes and visual tropes (see below). This one-day event will ultimately involve the aim of re-inscribing both discourses within a dialogical space of intercultural convergence as opposed to inassimilable difference and alterity.

Screen Studies Group Post Graduate Training Day, 27 October 2012

The Screen Studies Group invites all Post Graduate Students to the Post Graduate Training Day 27 October Beveridge Hall, Senate House South Block on the topic: ‘Starting with the Senses’  The programme is available for download or web viewing here: SSG PG Training Day_2012_programme poster.

 

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